Mise en Scene in the Film Yellow Earth :: Movie Film Essays

Mise en Scene in the Film Yellow EarthThe Film Yellow Earth uses its own unique style of editing inside the frame to portray its aesthetic qualities, which is known as mise en scene. The scene where convey is plowing the land with Gu by his side is the best exercise of mise en scene. This scene is important because of its possession of a unique camera angle, loose framing, and deeper hidden meaning, which contribute to the overall effect of the movie.First and foremost, this scene uses a low angle shot. In the shot the camera tilts the camera upwards while getting a whole shot of sire and Gu in the frame while also getting the white-livered hills and sky in it as well. The director uses a low angle shot in assign to convey the meaning of how important the land was to the people. If he would of chosen to do a high angle shot it would have denied the reader of viewing the yellowish hills in the background. Those hills are symbolic of the trapping qualities of both fates, nature an d society, the core principle of the movie. It was the spectators figurative position that was closely tied to the views of father and Gu.Next, Yellow Earth uses editing in the movement through its use of loose framing. In the scene, the characters had full motion. The director used this full motion of father and Gu in order for the viewer to get a glimpse of the actual work that took place. This strenuous manual labor would be grueling for any(prenominal) man. This work showed the viewer that the family was trapped in a life chained to the fields of rural China, a fate that young Cuiqiao wished to escape.Lastly, this scene does a broad job by creating a symbolic, underlying meaning of what father actually believed in.